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In the postwar years, Chaplin found himself branded a Communist, his films condemned and his private behavior suddenly the stuff of headlines, particularly in papers belonging to William Randolph Hearst, the Rupert Murdoch of the day. Once Hitler was defeated and the United States and the USSR no longer were allies in a war that cost the lives of 11 million Soviet soldiers, Chaplin’s sentiments were seen as suspiciously pro-Moscow. Chaplin would continue to deliver this speech at bond drives and other public occasions. “Real” makes the point Chaplin’s departure from silence put an end to both his lovable Tramp character and laid the groundwork for his ostracism.Īt the end of “The Great Dictator,” his 1940 anti-Hitler satire, the Tramp (mistaken for the dictator) delivers a call for democracy and world brotherhood. As the “Little Tramp,” Chaplin always was getting over on authorities, from the police to the landlord.Īs a director, actor and producer, Chaplin soon had an international reputation for being both hilarious and a “genius.” For decades, this status protected him from public scrutiny of his private life, which included a pattern of marrying very young women and treating them badly.Īfter the arrival of sound threatened many silent stars, Chaplin did not abandon the format and made “City Lights” (1931) and “Modern Times” (1936) well after “talkies” took over. A tale of rags-to-riches-to-wretched exile, “Real” offers a dreamlike meditation on fame and loss, memory and scandal, worldwide adoration and sudden “cancel culture.”Ĭhaplin’s rise from London poverty to music-hall success and overnight Hollywood celebrity occurred more than a century ago, but so many of the elements of Chaplin’s story speak to very contemporary themes.Ĭhaplin’s fame exploded at a time of extraordinary wealth inequality and an era when immigrants were changing America.
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Saturday, Showtime, TV-PG) recalls the first international movie superstar.
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Using artfully produced reenactments, archival interviews and a wealth of film footage, some of it mesmerizing in its decay, “The Real Charlie Chaplin” (7 p.m.It’s about the hostile takeover of a regional airline by a cheap CEO bent on cutting charitable giving from his bottom line. Next Sunday, CBS returns with another Christmas movie, “Christmas Takes Flight.” But don’t go looking for reindeer. It’s a move more appropriate to the 30-something sad sacks on “This Is Us” than to children. Lucy throws the party because she feels unloved. Nothing says “kids” like “Peanuts” specials, but Apple TV+’s “Snoopy Presents: For Auld Lang Syne” has the gang attending a late-night party in a downtown performance space in a sketchy part of town. Is this a kids’ movie or a way to mine ‘80s nostalgia for a 40-something audience? Streaming on HBO Max, “8-Bit Christmas” recalls holidays when being the first to get the new Nintendo system put a twinkle in your eye. Narrated by Maggie Smith and streaming on Netflix, “A Boy Called Christmas” creates some new fables among the reindeer set. Of the many holiday movies debuting in 2021, few involve children or the childlike wonder that once was central to the festivities. Not unlike Halloween, Christmas movies have turned the occasion into an adults-only celebration.